An experimental typography exploration which started off Guy Debord's 'Theory of the Derive' and evolve into a multi-media installation about the difficulty in having a dialog. The main source materials, 1 square inch cardboard squares, were cut of blindly and systematically from a large scale wall free scribble into approximately 11,700 pieces, to be sorted out to the different alphabet letters to arrive at new forms of type (and non-type)